Authorship and Authorial attitude in documentaries

Authorship and Authorial attitude in documentaries

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Question: All non-fiction films are authored, but the author – or the authorial attitude – is not always immediately visible. Discuss this proposition with reference to two long- form non-fiction films of your choosing. You should compare one film where the author is a visible and/or audible presence with one where the author (or the authorship) is not. 

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Please note the chosen programmes CANNOT be any of these films as we have studied them before:
The Civil War
Exit Through the Gift Shop
The Power of Nightmares
Bowling for Columbine
The Last Waltz
This Is Spinal Tap
Dreams of a Life
Grey Gardens
The September Issue
The World at War
Night and Fog
The Race for the Double Helix (episode of Life Story)
Nostalgia for the Light
The Spirit of `45
The Great Global Warming Swindle
Into the Abyss
Inside Job
Louis Theroux: The Ultra Zionists
Team America: World Police

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